Music Is My King Size Bed: Katie Melua Set To Release Fifth Album in November

First off...big thanks to Pop In Stereo for alerting me to this news! Katie Melua, one of my favorite English artists, is set to release her fifth album, Secret Symphony, on November 14th on her longtime label, Dramatico Records. The album, recorded at London's Air Studios sees the 26 year old Melua reverting back to some old habits, and by "habits" I mean the best kind of habits. In particular I'm referring to her longstanding, on and off again collaboration with composer and conductor Mike Batt who served as producer on her first 3 albums, including her #1 debut album Call Of The Search. Secret Symphony also marks a return to the musical style Melua's fans worldwide have come to know and love, that beautiful mix of blues, jazz, folk and pop that we heard in albums 1-3.

While her trademark dark and melancholy vocals were very much present, Melua's most recent album, The House, saw the talented singer/songwriter edging into an entirely foreign musical genre for her, that of electronica. Produced by William Orbit, (All Saints, Robbie Williams, Sugababes) the prolific record producer behind Madonna's Ray Of Light album (and rumored collaborator on her forthcoming 12th studio album), Melua took a chance and tried something new. Unfortunately, The House went on to be the poorest charting album of her career, following it's debut in the Spring of 2010. The album debuted at a solid #4 on the UK Albums charts, #10 on the Billboard Top Heatseekers chart and most notably rising to the top of the European Top 100 Albums chart. All in all...not such a failure, I guess, but in comparison to her previous 3 records, a little bit disappointing. According to Melua, Secret Symphony will mainly be comprised of cover songs, with a couple of originals sprinkled in for good measure. In a statement Melua discusses a little bit about the album's tracklist and the thought process behind it,

"This album was going to be my 'singer's album' says Katie. I had always wanted to do this one day; singing other people's songs brings something out of you and your voice that isn't perhaps where you would have gone vocally with your own material. It stretches you. As it happened Mike and I did write a couple of new ones, but the general idea was to find songs by great writers such as Ron Sexsmith ('Gold In Them Hills') and a favourite song of mine, originally recorded by Bonnie Raitt ('Too Long At The Fair) plus some more well known ones like 'Keeping The Dream Alive'." {SOURCE}

One of the first songs to surface from the new album is her cover of "Gold In Them Hills," originally sung by Canadian singer/songwriter Ron Sexsmith on his 2002 album Cobblestone Runway, the song appeared in two forms - an original edit and a version featuring Chris Martin from the band Coldplay. "Gold In Them Hills" was recorded especially for the German compilation series Kuschelrock, in the midst of celebrating their 25th anniversary this year. Melua's song is featured in a trailer for the Kuschelrock 25 compilation which is due for release September 23rd. Watch the trailer below and listen to Katie's beautifully sung rendition of "Gold In Them Hills."

While part of me is excited to have Melua back on the musical stage, I'm a little bit disappointed that she's so quickly going back to her beautiful, albeit sleepy style of pop/jazz. Don't get me wrong, I absolutely think the world of Melua and her talents both as a singer and as a songwriter, but I can't help but feel a little like I've been teased. Being such a fan of electronica and William Orbit in particular, seeing her test that genre out, then seeing her revert back to that safe place is a bit disappointing. In many ways, The House was the most commercially viable album of Melua's career, in that electro pop is HUGE right now all over the world. I think the problem that no one associated Katie Melua with electro pop, not even her fan base, which ultimately lead to the album not being as successful as it's predecessors. Just because a musical style is HOT right now, not every artist is suited to that style. For Katie Melua, "commercially viable" just seems to be her brand of pop/jazz and that's OK. I guess I would just have liked to see a little bit more experimentation on the new album. Oh well, perhaps DJs will take notice and give some of her tracks the remix treatment. I'm still rockin' out to remixes of "The Flood" and "A Happy Place" today.

Another reason for the album's diminished success of The House was likely the fact that she was hospitalized for six weeks after suffering a break down, and sheer exhaustion. Melua admitted to working herself into the ground and not taking enough time for herself. While Melua did resume promotional activities in 2011, including a European tour (where the girl sells out arenas!) no more singles were released following "To Kill You With A Kiss." As happy as I was to see Melua make it over to the U.S. in August for the album's stateside release, I was disappointed that she didn't come back for a tour. I've now had the privilege of seeing Melua perform live twice and it remains one of my most favorite live performances. In addition to working on her new album, Katie has been keeping busy with causes near and dear to her heart, most recently accompanying members of Project Earth's expedition to the Canadian Arctic where she learned about the preservation of local species and to see just how damaging human beings have been and continue to be to one of earth's fragile ecosystems.

No word yet on a U.S. release for Secret Symphony but could probably assume that it's imminent, given that her other albums are available here. UK fans can snag Secret Symphony when it's released on November 14th. Stay tuned for news about the album's tracklisting and first single. So glad to have Katie Melua back doing what she does best. Check out Katie Melua's discography on U.S. iTunes HERE.